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Home > Twelfth Night > ACT IV - SCENE II. OLIVIA's house.

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ACT IV - SCENE II. OLIVIA's house.
Enter MARIA and Clown

MARIA
1    Nay, I prithee, put on this gown and this beard;
2    make him believe thou art Sir Topas the curate: do
3    it quickly; I'll call Sir Toby the whilst.
Exit

Clown
4    Well, I'll put it on, and I will dissemble myself
5    in't; and I would I were the first that ever
6    dissembled in such a gown. I am not tall enough to
7    become the function well, nor lean enough to be
8    thought a good student; but to be said an honest man
9    and a good housekeeper goes as fairly as to say a
10   careful man and a great scholar. The competitors enter.
Enter SIR TOBY BELCH and MARIA

SIR TOBY BELCH
11   Jove bless thee, master Parson.
Clown
12   Bonos dies, Sir Toby: for, as the old hermit of
13   Prague, that never saw pen and ink, very wittily
14   said to a niece of King Gorboduc, 'That that is is;'
15   so I, being Master Parson, am Master Parson; for,
16   what is 'that' but 'that,' and 'is' but 'is'?
SIR TOBY BELCH
17   To him, Sir Topas.
Clown
18   What, ho, I say! peace in this prison!
SIR TOBY BELCH
19   The knave counterfeits well; a good knave.
MALVOLIO
Within
20    Who calls there?
Clown
21   Sir Topas the curate, who comes to visit Malvolio
22   the lunatic.
MALVOLIO
23   Sir Topas, Sir Topas, good Sir Topas, go to my lady.
Clown
24   Out, hyperbolical fiend! how vexest thou this man!
25   talkest thou nothing but of ladies?
SIR TOBY BELCH
26   Well said, Master Parson.
MALVOLIO
27   Sir Topas, never was man thus wronged: good Sir
28   Topas, do not think I am mad: they have laid me
29   here in hideous darkness.
Clown
30   Fie, thou dishonest Satan! I call thee by the most
31   modest terms; for I am one of those gentle ones
32   that will use the devil himself with courtesy:
33   sayest thou that house is dark?
MALVOLIO
34   As hell, Sir Topas.
Clown
35   Why it hath bay windows transparent as barricadoes,
36   and the clearstores toward the south north are as
37   lustrous as ebony; and yet complainest thou of
38   obstruction?
MALVOLIO
39   I am not mad, Sir Topas: I say to you, this house is dark.
Clown
40   Madman, thou errest: I say, there is no darkness
41   but ignorance; in which thou art more puzzled than
42   the Egyptians in their fog.
MALVOLIO
43   I say, this house is as dark as ignorance, though
44   ignorance were as dark as hell; and I say, there
45   was never man thus abused. I am no more mad than you
46   are: make the trial of it in any constant question.
Clown
47   What is the opinion of Pythagoras concerning wild fowl?
MALVOLIO
48   That the soul of our grandam might haply inhabit a bird.
Clown
49   What thinkest thou of his opinion?
MALVOLIO
50   I think nobly of the soul, and no way approve his opinion.
Clown
51   Fare thee well. Remain thou still in darkness:
52   thou shalt hold the opinion of Pythagoras ere I will
53   allow of thy wits, and fear to kill a woodcock, lest
54   thou dispossess the soul of thy grandam. Fare thee well.
MALVOLIO
55   Sir Topas, Sir Topas!
SIR TOBY BELCH
56   My most exquisite Sir Topas!
Clown
57   Nay, I am for all waters.
MARIA
58   Thou mightst have done this without thy beard and
59   gown: he sees thee not.
SIR TOBY BELCH
60   To him in thine own voice, and bring me word how
61   thou findest him: I would we were well rid of this
62   knavery. If he may be conveniently delivered, I
63   would he were, for I am now so far in offence with
64   my niece that I cannot pursue with any safety this
65   sport to the upshot. Come by and by to my chamber.
Exeunt SIR TOBY BELCH and MARIA

Clown
Singing
66   'Hey, Robin, jolly Robin,
67   Tell me how thy lady does.'
MALVOLIO
68   Fool!
Clown
69   'My lady is unkind, perdy.'
MALVOLIO
70   Fool!
Clown
71   'Alas, why is she so?'
MALVOLIO
72   Fool, I say!
Clown
73   'She loves another'--Who calls, ha?
MALVOLIO
74   Good fool, as ever thou wilt deserve well at my
75   hand, help me to a candle, and pen, ink and paper:
76   as I am a gentleman, I will live to be thankful to
77   thee for't.
Clown
78   Master Malvolio?
MALVOLIO
79   Ay, good fool.
Clown
80   Alas, sir, how fell you besides your five wits?
MALVOLIO
81   Fool, there was never a man so notoriously abused: I
82   am as well in my wits, fool, as thou art.
Clown
83   But as well? then you are mad indeed, if you be no
84   better in your wits than a fool.
MALVOLIO
85   They have here propertied me; keep me in darkness,
86   send ministers to me, asses, and do all they can to
87   face me out of my wits.
Clown
88   Advise you what you say; the minister is here.
89   Malvolio, Malvolio, thy wits the heavens restore!
90   endeavour thyself to sleep, and leave thy vain
91   bibble babble.
MALVOLIO
92   Sir Topas!
Clown
93   Maintain no words with him, good fellow. Who, I,
94   sir? not I, sir. God be wi' you, good Sir Topas.
95   Merry, amen. I will, sir, I will.
MALVOLIO
96   Fool, fool, fool, I say!
Clown
97   Alas, sir, be patient. What say you sir? I am
98   shent for speaking to you.
MALVOLIO
99   Good fool, help me to some light and some paper: I
100  tell thee, I am as well in my wits as any man in Illyria.
Clown
101  Well-a-day that you were, sir
MALVOLIO
102  By this hand, I am. Good fool, some ink, paper and
103  light; and convey what I will set down to my lady:
104  it shall advantage thee more than ever the bearing
105  of letter did.
Clown
106  I will help you to't. But tell me true, are you
107  not mad indeed? or do you but counterfeit?
MALVOLIO
108  Believe me, I am not; I tell thee true.
Clown
109  Nay, I'll ne'er believe a madman till I see his
110  brains. I will fetch you light and paper and ink.
MALVOLIO
111  Fool, I'll requite it in the highest degree: I
112  prithee, be gone.
Clown
Singing
113  I am gone, sir,
114  And anon, sir,
115  I'll be with you again,
116  In a trice,
117  Like to the old Vice,
118  Your need to sustain;
119  Who, with dagger of lath,
120  In his rage and his wrath,
121  Cries, ah, ha! to the devil:
122  Like a mad lad,
123  Pare thy nails, dad;
124  Adieu, good man devil.
Exit

< (Previous) ACT IV, SCENE IACT IV, III (Next) >
Scene Index
ACT I
  • SCENE I
  • SCENE II
  • SCENE III
  • SCENE IV
  • SCENE V


  • ACT II
  • SCENE I
  • SCENE II
  • SCENE III
  • SCENE IV
  • SCENE V


  • ACT III
  • SCENE I
  • SCENE II
  • SCENE III
  • SCENE IV


  • ACT IV
  • SCENE I
  • SCENE II
  • SCENE III


  • ACT V
  • SCENE I

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