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Home > Love's Labour's Lost > ACT III - SCENE I. The same.

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ACT III - SCENE I. The same.
Enter DON ADRIANO DE ARMADO and MOTH

DON ADRIANO DE ARMADO
1    Warble, child; make passionate my sense of hearing.
MOTH
2    Concolinel.
Singing

DON ADRIANO DE ARMADO
3    Sweet air! Go, tenderness of years; take this key,
4    give enlargement to the swain, bring him festinately
5    hither: I must employ him in a letter to my love.
MOTH
6    Master, will you win your love with a French brawl?
DON ADRIANO DE ARMADO
7    How meanest thou? brawling in French?
MOTH
8    No, my complete master: but to jig off a tune at
9    the tongue's end, canary to it with your feet, humour
10   it with turning up your eyelids, sigh a note and
11   sing a note, sometime through the throat, as if you
12   swallowed love with singing love, sometime through
13   the nose, as if you snuffed up love by smelling
14   love; with your hat penthouse-like o'er the shop of
15   your eyes; with your arms crossed on your thin-belly
16   doublet like a rabbit on a spit; or your hands in
17   your pocket like a man after the old painting; and
18   keep not too long in one tune, but a snip and away.
19   These are complements, these are humours; these
20   betray nice wenches, that would be betrayed without
21   these; and make them men of note--do you note
22   me?--that most are affected to these.
DON ADRIANO DE ARMADO
23   How hast thou purchased this experience?
MOTH
24   By my penny of observation.
DON ADRIANO DE ARMADO
25   But O,--but O,--
MOTH
26   'The hobby-horse is forgot.'
DON ADRIANO DE ARMADO
27   Callest thou my love 'hobby-horse'?
MOTH
28   No, master; the hobby-horse is but a colt, and your
29   love perhaps a hackney. But have you forgot your love?
DON ADRIANO DE ARMADO
30   Almost I had.
MOTH
31   Negligent student! learn her by heart.
DON ADRIANO DE ARMADO
32   By heart and in heart, boy.
MOTH
33   And out of heart, master: all those three I will prove.
DON ADRIANO DE ARMADO
34   What wilt thou prove?
MOTH
35   A man, if I live; and this, by, in, and without, upon
36   the instant: by heart you love her, because your
37   heart cannot come by her; in heart you love her,
38   because your heart is in love with her; and out of
39   heart you love her, being out of heart that you
40   cannot enjoy her.
DON ADRIANO DE ARMADO
41   I am all these three.
MOTH
42   And three times as much more, and yet nothing at
43   all.
DON ADRIANO DE ARMADO
44   Fetch hither the swain: he must carry me a letter.
MOTH
45   A message well sympathized; a horse to be ambassador
46   for an ass.
DON ADRIANO DE ARMADO
47   Ha, ha! what sayest thou?
MOTH
48   Marry, sir, you must send the ass upon the horse,
49   for he is very slow-gaited. But I go.
DON ADRIANO DE ARMADO
50   The way is but short: away!
MOTH
51   As swift as lead, sir.
DON ADRIANO DE ARMADO
52   The meaning, pretty ingenious?
53   Is not lead a metal heavy, dull, and slow?
MOTH
54   Minime, honest master; or rather, master, no.
DON ADRIANO DE ARMADO
55   I say lead is slow.
MOTH
56   You are too swift, sir, to say so:
57   Is that lead slow which is fired from a gun?
DON ADRIANO DE ARMADO
58   Sweet smoke of rhetoric!
59   He reputes me a cannon; and the bullet, that's he:
60   I shoot thee at the swain.
MOTH
61   Thump then and I flee.
Exit

DON ADRIANO DE ARMADO
62   A most acute juvenal; voluble and free of grace!
63   By thy favour, sweet welkin, I must sigh in thy face:
64   Most rude melancholy, valour gives thee place.
65   My herald is return'd.
Re-enter MOTH with COSTARD

MOTH
66   A wonder, master! here's a costard broken in a shin.
DON ADRIANO DE ARMADO
67   Some enigma, some riddle: come, thy l'envoy; begin.
COSTARD
68   No enigma, no riddle, no l'envoy; no salve in the
69   mail, sir: O, sir, plantain, a plain plantain! no
70   l'envoy, no l'envoy; no salve, sir, but a plantain!
DON ADRIANO DE ARMADO
71   By virtue, thou enforcest laughter; thy silly
72   thought my spleen; the heaving of my lungs provokes
73   me to ridiculous smiling. O, pardon me, my stars!
74   Doth the inconsiderate take salve for l'envoy, and
75   the word l'envoy for a salve?
MOTH
76   Do the wise think them other? is not l'envoy a salve?
DON ADRIANO DE ARMADO
77   No, page: it is an epilogue or discourse, to make plain
78   Some obscure precedence that hath tofore been sain.
79   I will example it:
80   The fox, the ape, and the humble-bee,
81   Were still at odds, being but three.
82   There's the moral. Now the l'envoy.
MOTH
83   I will add the l'envoy. Say the moral again.
DON ADRIANO DE ARMADO
84   The fox, the ape, and the humble-bee,
85   Were still at odds, being but three.
MOTH
86   Until the goose came out of door,
87   And stay'd the odds by adding four.
88   Now will I begin your moral, and do you follow with
89   my l'envoy.
90   The fox, the ape, and the humble-bee,
91   Were still at odds, being but three.
DON ADRIANO DE ARMADO
92   Until the goose came out of door,
93   Staying the odds by adding four.
MOTH
94   A good l'envoy, ending in the goose: would you
95   desire more?
COSTARD
96   The boy hath sold him a bargain, a goose, that's flat.
97   Sir, your pennyworth is good, an your goose be fat.
98   To sell a bargain well is as cunning as fast and loose:
99   Let me see; a fat l'envoy; ay, that's a fat goose.
DON ADRIANO DE ARMADO
100  Come hither, come hither. How did this argument begin?
MOTH
101  By saying that a costard was broken in a shin.
102  Then call'd you for the l'envoy.
COSTARD
103  True, and I for a plantain: thus came your
104  argument in;
105  Then the boy's fat l'envoy, the goose that you bought;
106  And he ended the market.
DON ADRIANO DE ARMADO
107  But tell me; how was there a costard broken in a shin?
MOTH
108  I will tell you sensibly.
COSTARD
109  Thou hast no feeling of it, Moth: I will speak that l'envoy:
110  I Costard, running out, that was safely within,
111  Fell over the threshold and broke my shin.
DON ADRIANO DE ARMADO
112  We will talk no more of this matter.
COSTARD
113  Till there be more matter in the shin.
DON ADRIANO DE ARMADO
114  Sirrah Costard, I will enfranchise thee.
COSTARD
115  O, marry me to one Frances: I smell some l'envoy,
116  some goose, in this.
DON ADRIANO DE ARMADO
117  By my sweet soul, I mean setting thee at liberty,
118  enfreedoming thy person; thou wert immured,
119  restrained, captivated, bound.
COSTARD
120  True, true; and now you will be my purgation and let me loose.
DON ADRIANO DE ARMADO
121  I give thee thy liberty, set thee from durance; and,
122  in lieu thereof, impose on thee nothing but this:
123  bear this significant
Giving a letter
124  to the country maid Jaquenetta:
125  there is remuneration; for the best ward of mine
126  honour is rewarding my dependents. Moth, follow.
Exit

MOTH
127  Like the sequel, I. Signior Costard, adieu.
COSTARD
128  My sweet ounce of man's flesh! my incony Jew!
Exit MOTH
129  Now will I look to his remuneration. Remuneration!
130  O, that's the Latin word for three farthings: three
131  farthings--remuneration.--'What's the price of this
132  inkle?'--'One penny.'--'No, I'll give you a
133  remuneration:' why, it carries it. Remuneration!
134  why, it is a fairer name than French crown. I will
135  never buy and sell out of this word.
Enter BIRON

BIRON
136  O, my good knave Costard! exceedingly well met.
COSTARD
137  Pray you, sir, how much carnation ribbon may a man
138  buy for a remuneration?
BIRON
139  What is a remuneration?
COSTARD
140  Marry, sir, halfpenny farthing.
BIRON
141  Why, then, three-farthing worth of silk.
COSTARD
142  I thank your worship: God be wi' you!
BIRON
143  Stay, slave; I must employ thee:
144  As thou wilt win my favour, good my knave,
145  Do one thing for me that I shall entreat.
COSTARD
146  When would you have it done, sir?
BIRON
147  This afternoon.
COSTARD
148  Well, I will do it, sir: fare you well.
BIRON
149  Thou knowest not what it is.
COSTARD
150  I shall know, sir, when I have done it.
BIRON
151  Why, villain, thou must know first.
COSTARD
152  I will come to your worship to-morrow morning.
BIRON
153  It must be done this afternoon.
154  Hark, slave, it is but this:
155  The princess comes to hunt here in the park,
156  And in her train there is a gentle lady;
157  When tongues speak sweetly, then they name her name,
158  And Rosaline they call her: ask for her;
159  And to her white hand see thou do commend
160  This seal'd-up counsel. There's thy guerdon; go.
Giving him a shilling

COSTARD
161  Gardon, O sweet gardon! better than remuneration,
162  a'leven-pence farthing better: most sweet gardon! I
163  will do it sir, in print. Gardon! Remuneration!
Exit

BIRON
164  And I, forsooth, in love! I, that have been love's whip;
165  A very beadle to a humorous sigh;
166  A critic, nay, a night-watch constable;
167  A domineering pedant o'er the boy;
168  Than whom no mortal so magnificent!
169  This whimpled, whining, purblind, wayward boy;
170  This senior-junior, giant-dwarf, Dan Cupid;
171  Regent of love-rhymes, lord of folded arms,
172  The anointed sovereign of sighs and groans,
173  Liege of all loiterers and malcontents,
174  Dread prince of plackets, king of codpieces,
175  Sole imperator and great general
176  Of trotting 'paritors:--O my little heart:--
177  And I to be a corporal of his field,
178  And wear his colours like a tumbler's hoop!
179  What, I! I love! I sue! I seek a wife!
180  A woman, that is like a German clock,
181  Still a-repairing, ever out of frame,
182  And never going aright, being a watch,
183  But being watch'd that it may still go right!
184  Nay, to be perjured, which is worst of all;
185  And, among three, to love the worst of all;
186  A wightly wanton with a velvet brow,
187  With two pitch-balls stuck in her face for eyes;
188  Ay, and by heaven, one that will do the deed
189  Though Argus were her eunuch and her guard:
190  And I to sigh for her! to watch for her!
191  To pray for her! Go to; it is a plague
192  That Cupid will impose for my neglect
193  Of his almighty dreadful little might.
194  Well, I will love, write, sigh, pray, sue and groan:
195  Some men must love my lady and some Joan.
Exit

< (Previous) ACT II, SCENE IACT IV, I (Next) >
Scene Index
ACT I
  • SCENE I
  • SCENE II


  • ACT II
  • SCENE I


  • ACT III
  • SCENE I


  • ACT IV
  • SCENE I
  • SCENE II
  • SCENE III


  • ACT V
  • SCENE I
  • SCENE II

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