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Home > As You Like It > ACT IV - SCENE I. The forest.

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ACT IV - SCENE I. The forest.
Enter ROSALIND, CELIA, and JAQUES

JAQUES
1    I prithee, pretty youth, let me be better acquainted
2    with thee.
ROSALIND
3    They say you are a melancholy fellow.
JAQUES
4    I am so; I do love it better than laughing.
ROSALIND
5    Those that are in extremity of either are abominable
6    fellows and betray themselves to every modern
7    censure worse than drunkards.
JAQUES
8    Why, 'tis good to be sad and say nothing.
ROSALIND
9    Why then, 'tis good to be a post.
JAQUES
10   I have neither the scholar's melancholy, which is
11   emulation, nor the musician's, which is fantastical,
12   nor the courtier's, which is proud, nor the
13   soldier's, which is ambitious, nor the lawyer's,
14   which is politic, nor the lady's, which is nice, nor
15   the lover's, which is all these: but it is a
16   melancholy of mine own, compounded of many simples,
17   extracted from many objects, and indeed the sundry's
18   contemplation of my travels, in which my often
19   rumination wraps me m a most humorous sadness.
ROSALIND
20   A traveller! By my faith, you have great reason to
21   be sad: I fear you have sold your own lands to see
22   other men's; then, to have seen much and to have
23   nothing, is to have rich eyes and poor hands.
JAQUES
24   Yes, I have gained my experience.
ROSALIND
25   And your experience makes you sad: I had rather have
26   a fool to make me merry than experience to make me
27   sad; and to travel for it too!
Enter ORLANDO

ORLANDO
28   Good day and happiness, dear Rosalind!
JAQUES
29   Nay, then, God be wi' you, an you talk in blank verse.
Exit

ROSALIND
30   Farewell, Monsieur Traveller: look you lisp and
31   wear strange suits, disable all the benefits of your
32   own country, be out of love with your nativity and
33   almost chide God for making you that countenance you
34   are, or I will scarce think you have swam in a
35   gondola. Why, how now, Orlando! where have you been
36   all this while? You a lover! An you serve me such
37   another trick, never come in my sight more.
ORLANDO
38   My fair Rosalind, I come within an hour of my promise.
ROSALIND
39   Break an hour's promise in love! He that will
40   divide a minute into a thousand parts and break but
41   a part of the thousandth part of a minute in the
42   affairs of love, it may be said of him that Cupid
43   hath clapped him o' the shoulder, but I'll warrant
44   him heart-whole.
ORLANDO
45   Pardon me, dear Rosalind.
ROSALIND
46   Nay, an you be so tardy, come no more in my sight: I
47   had as lief be wooed of a snail.
ORLANDO
48   Of a snail?
ROSALIND
49   Ay, of a snail; for though he comes slowly, he
50   carries his house on his head; a better jointure,
51   I think, than you make a woman: besides he brings
52   his destiny with him.
ORLANDO
53   What's that?
ROSALIND
54   Why, horns, which such as you are fain to be
55   beholding to your wives for: but he comes armed in
56   his fortune and prevents the slander of his wife.
ORLANDO
57   Virtue is no horn-maker; and my Rosalind is virtuous.
ROSALIND
58   And I am your Rosalind.
CELIA
59   It pleases him to call you so; but he hath a
60   Rosalind of a better leer than you.
ROSALIND
61   Come, woo me, woo me, for now I am in a holiday
62   humour and like enough to consent. What would you
63   say to me now, an I were your very very Rosalind?
ORLANDO
64   I would kiss before I spoke.
ROSALIND
65   Nay, you were better speak first, and when you were
66   gravelled for lack of matter, you might take
67   occasion to kiss. Very good orators, when they are
68   out, they will spit; and for lovers lacking--God
69   warn us!--matter, the cleanliest shift is to kiss.
ORLANDO
70   How if the kiss be denied?
ROSALIND
71   Then she puts you to entreaty, and there begins new matter.
ORLANDO
72   Who could be out, being before his beloved mistress?
ROSALIND
73   Marry, that should you, if I were your mistress, or
74   I should think my honesty ranker than my wit.
ORLANDO
75   What, of my suit?
ROSALIND
76   Not out of your apparel, and yet out of your suit.
77   Am not I your Rosalind?
ORLANDO
78   I take some joy to say you are, because I would be
79   talking of her.
ROSALIND
80   Well in her person I say I will not have you.
ORLANDO
81   Then in mine own person I die.
ROSALIND
82   No, faith, die by attorney. The poor world is
83   almost six thousand years old, and in all this time
84   there was not any man died in his own person,
85   videlicit, in a love-cause. Troilus had his brains
86   dashed out with a Grecian club; yet he did what he
87   could to die before, and he is one of the patterns
88   of love. Leander, he would have lived many a fair
89   year, though Hero had turned nun, if it had not been
90   for a hot midsummer night; for, good youth, he went
91   but forth to wash him in the Hellespont and being
92   taken with the cramp was drowned and the foolish
93   coroners of that age found it was 'Hero of Sestos.'
94   But these are all lies: men have died from time to
95   time and worms have eaten them, but not for love.
ORLANDO
96   I would not have my right Rosalind of this mind,
97   for, I protest, her frown might kill me.
ROSALIND
98   By this hand, it will not kill a fly. But come, now
99   I will be your Rosalind in a more coming-on
100  disposition, and ask me what you will. I will grant
101  it.
ORLANDO
102  Then love me, Rosalind.
ROSALIND
103  Yes, faith, will I, Fridays and Saturdays and all.
ORLANDO
104  And wilt thou have me?
ROSALIND
105  Ay, and twenty such.
ORLANDO
106  What sayest thou?
ROSALIND
107  Are you not good?
ORLANDO
108  I hope so.
ROSALIND
109  Why then, can one desire too much of a good thing?
110  Come, sister, you shall be the priest and marry us.
111  Give me your hand, Orlando. What do you say, sister?
ORLANDO
112  Pray thee, marry us.
CELIA
113  I cannot say the words.
ROSALIND
114  You must begin, 'Will you, Orlando--'
CELIA
115  Go to. Will you, Orlando, have to wife this Rosalind?
ORLANDO
116  I will.
ROSALIND
117  Ay, but when?
ORLANDO
118  Why now; as fast as she can marry us.
ROSALIND
119  Then you must say 'I take thee, Rosalind, for wife.'
ORLANDO
120  I take thee, Rosalind, for wife.
ROSALIND
121  I might ask you for your commission; but I do take
122  thee, Orlando, for my husband: there's a girl goes
123  before the priest; and certainly a woman's thought
124  runs before her actions.
ORLANDO
125  So do all thoughts; they are winged.
ROSALIND
126  Now tell me how long you would have her after you
127  have possessed her.
ORLANDO
128  For ever and a day.
ROSALIND
129  Say 'a day,' without the 'ever.' No, no, Orlando;
130  men are April when they woo, December when they wed:
131  maids are May when they are maids, but the sky
132  changes when they are wives. I will be more jealous
133  of thee than a Barbary cock-pigeon over his hen,
134  more clamorous than a parrot against rain, more
135  new-fangled than an ape, more giddy in my desires
136  than a monkey: I will weep for nothing, like Diana
137  in the fountain, and I will do that when you are
138  disposed to be merry; I will laugh like a hyen, and
139  that when thou art inclined to sleep.
ORLANDO
140  But will my Rosalind do so?
ROSALIND
141  By my life, she will do as I do.
ORLANDO
142  O, but she is wise.
ROSALIND
143  Or else she could not have the wit to do this: the
144  wiser, the waywarder: make the doors upon a woman's
145  wit and it will out at the casement; shut that and
146  'twill out at the key-hole; stop that, 'twill fly
147  with the smoke out at the chimney.
ORLANDO
148  A man that had a wife with such a wit, he might say
149  'Wit, whither wilt?'
ROSALIND
150  Nay, you might keep that cheque for it till you met
151  your wife's wit going to your neighbour's bed.
ORLANDO
152  And what wit could wit have to excuse that?
ROSALIND
153  Marry, to say she came to seek you there. You shall
154  never take her without her answer, unless you take
155  her without her tongue. O, that woman that cannot
156  make her fault her husband's occasion, let her
157  never nurse her child herself, for she will breed
158  it like a fool!
ORLANDO
159  For these two hours, Rosalind, I will leave thee.
ROSALIND
160  Alas! dear love, I cannot lack thee two hours.
ORLANDO
161  I must attend the duke at dinner: by two o'clock I
162  will be with thee again.
ROSALIND
163  Ay, go your ways, go your ways; I knew what you
164  would prove: my friends told me as much, and I
165  thought no less: that flattering tongue of yours
166  won me: 'tis but one cast away, and so, come,
167  death! Two o'clock is your hour?
ORLANDO
168  Ay, sweet Rosalind.
ROSALIND
169  By my troth, and in good earnest, and so God mend
170  me, and by all pretty oaths that are not dangerous,
171  if you break one jot of your promise or come one
172  minute behind your hour, I will think you the most
173  pathetical break-promise and the most hollow lover
174  and the most unworthy of her you call Rosalind that
175  may be chosen out of the gross band of the
176  unfaithful: therefore beware my censure and keep
177  your promise.
ORLANDO
178  With no less religion than if thou wert indeed my
179  Rosalind: so adieu.
ROSALIND
180  Well, Time is the old justice that examines all such
181  offenders, and let Time try: adieu.
Exit ORLANDO

CELIA
182  You have simply misused our sex in your love-prate:
183  we must have your doublet and hose plucked over your
184  head, and show the world what the bird hath done to
185  her own nest.
ROSALIND
186  O coz, coz, coz, my pretty little coz, that thou
187  didst know how many fathom deep I am in love! But
188  it cannot be sounded: my affection hath an unknown
189  bottom, like the bay of Portugal.
CELIA
190  Or rather, bottomless, that as fast as you pour
191  affection in, it runs out.
ROSALIND
192  No, that same wicked bastard of Venus that was begot
193  of thought, conceived of spleen and born of madness,
194  that blind rascally boy that abuses every one's eyes
195  because his own are out, let him be judge how deep I
196  am in love. I'll tell thee, Aliena, I cannot be out
197  of the sight of Orlando: I'll go find a shadow and
198  sigh till he come.
CELIA
199  And I'll sleep.
Exeunt

< (Previous) ACT III, SCENE VACT IV, II (Next) >
Scene Index
ACT I
  • SCENE I
  • SCENE II
  • SCENE III


  • ACT II
  • SCENE I
  • SCENE II
  • SCENE III
  • SCENE IV
  • SCENE V
  • SCENE VI
  • SCENE VII


  • ACT III
  • SCENE I
  • SCENE II
  • SCENE III
  • SCENE IV
  • SCENE V


  • ACT IV
  • SCENE I
  • SCENE II
  • SCENE III


  • ACT V
  • SCENE I
  • SCENE II
  • SCENE III
  • SCENE IV
  • EPILOGUE

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