MaximumEdge.com | | Search | | E-Mail | | News | | Weather | | Finance | | Directory | | Music | | Lottery Results | | Horoscopes | | Translation | | Games | | E-Cards | | Maps | | Jobs | | Magazines | | DVDs |

MaximumEdge.com
Shakespeare

Home > Midsummer Night's Dream > ACT III - SCENE I. The wood. TITANIA lying asleep.

Search: Midsummer Night's Dream


< (Previous) ACT II, SCENE IIACT III, II (Next) >

ACT III - SCENE I. The wood. TITANIA lying asleep.
BOTTOM
1    Are we all met?
QUINCE
2    Pat, pat; and here's a marvellous convenient place
3    for our rehearsal. This green plot shall be our
4    stage, this hawthorn-brake our tiring-house; and we
5    will do it in action as we will do it before the duke.
BOTTOM
6    Peter Quince,--
QUINCE
7    What sayest thou, bully Bottom?
BOTTOM
8    There are things in this comedy of Pyramus and
9    Thisby that will never please. First, Pyramus must
10   draw a sword to kill himself; which the ladies
11   cannot abide. How answer you that?
SNOUT
12   By'r lakin, a parlous fear.
STARVELING
13   I believe we must leave the killing out, when all is done.
BOTTOM
14   Not a whit: I have a device to make all well.
15   Write me a prologue; and let the prologue seem to
16   say, we will do no harm with our swords, and that
17   Pyramus is not killed indeed; and, for the more
18   better assurance, tell them that I, Pyramus, am not
19   Pyramus, but Bottom the weaver: this will put them
20   out of fear.
QUINCE
21   Well, we will have such a prologue; and it shall be
22   written in eight and six.
BOTTOM
23   No, make it two more; let it be written in eight and eight.
SNOUT
24   Will not the ladies be afeard of the lion?
STARVELING
25   I fear it, I promise you.
BOTTOM
26   Masters, you ought to consider with yourselves: to
27   bring in--God shield us!--a lion among ladies, is a
28   most dreadful thing; for there is not a more fearful
29   wild-fowl than your lion living; and we ought to
30   look to 't.
SNOUT
31   Therefore another prologue must tell he is not a lion.
BOTTOM
32   Nay, you must name his name, and half his face must
33   be seen through the lion's neck: and he himself
34   must speak through, saying thus, or to the same
35   defect,--'Ladies,'--or 'Fair-ladies--I would wish
36   You,'--or 'I would request you,'--or 'I would
37   entreat you,--not to fear, not to tremble: my life
38   for yours. If you think I come hither as a lion, it
39   were pity of my life: no I am no such thing; I am a
40   man as other men are;' and there indeed let him name
41   his name, and tell them plainly he is Snug the joiner.
QUINCE
42   Well it shall be so. But there is two hard things;
43   that is, to bring the moonlight into a chamber; for,
44   you know, Pyramus and Thisby meet by moonlight.
SNOUT
45   Doth the moon shine that night we play our play?
BOTTOM
46   A calendar, a calendar! look in the almanac; find
47   out moonshine, find out moonshine.
QUINCE
48   Yes, it doth shine that night.
BOTTOM
49   Why, then may you leave a casement of the great
50   chamber window, where we play, open, and the moon
51   may shine in at the casement.
QUINCE
52   Ay; or else one must come in with a bush of thorns
53   and a lanthorn, and say he comes to disfigure, or to
54   present, the person of Moonshine. Then, there is
55   another thing: we must have a wall in the great
56   chamber; for Pyramus and Thisby says the story, did
57   talk through the chink of a wall.
SNOUT
58   You can never bring in a wall. What say you, Bottom?
BOTTOM
59   Some man or other must present Wall: and let him
60   have some plaster, or some loam, or some rough-cast
61   about him, to signify wall; and let him hold his
62   fingers thus, and through that cranny shall Pyramus
63   and Thisby whisper.
QUINCE
64   If that may be, then all is well. Come, sit down,
65   every mother's son, and rehearse your parts.
66   Pyramus, you begin: when you have spoken your
67   speech, enter into that brake: and so every one
68   according to his cue.
Enter PUCK behind

PUCK
69   What hempen home-spuns have we swaggering here,
70   So near the cradle of the fairy queen?
71   What, a play toward! I'll be an auditor;
72   An actor too, perhaps, if I see cause.
QUINCE
73   Speak, Pyramus. Thisby, stand forth.
BOTTOM
74   Thisby, the flowers of odious savours sweet,--
QUINCE
75   Odours, odours.
BOTTOM
76   --odours savours sweet:
77   So hath thy breath, my dearest Thisby dear.
78   But hark, a voice! stay thou but here awhile,
79   And by and by I will to thee appear.
Exit

PUCK
80   A stranger Pyramus than e'er played here.
Exit

FLUTE
81   Must I speak now?
QUINCE
82   Ay, marry, must you; for you must understand he goes
83   but to see a noise that he heard, and is to come again.
FLUTE
84   Most radiant Pyramus, most lily-white of hue,
85   Of colour like the red rose on triumphant brier,
86   Most brisky juvenal and eke most lovely Jew,
87   As true as truest horse that yet would never tire,
88   I'll meet thee, Pyramus, at Ninny's tomb.
QUINCE
89   'Ninus' tomb,' man: why, you must not speak that
90   yet; that you answer to Pyramus: you speak all your
91   part at once, cues and all Pyramus enter: your cue
92   is past; it is, 'never tire.'
FLUTE
93   O,--As true as truest horse, that yet would
94   never tire.
Re-enter PUCK, and BOTTOM with an ass's head

BOTTOM
95   If I were fair, Thisby, I were only thine.
QUINCE
96   O monstrous! O strange! we are haunted. Pray,
97   masters! fly, masters! Help!
Exeunt QUINCE, SNUG, FLUTE, SNOUT, and STARVELING

PUCK
98   I'll follow you, I'll lead you about a round,
99   Through bog, through bush, through brake, through brier:
100  Sometime a horse I'll be, sometime a hound,
101  A hog, a headless bear, sometime a fire;
102  And neigh, and bark, and grunt, and roar, and burn,
103  Like horse, hound, hog, bear, fire, at every turn.
Exit

BOTTOM
104  Why do they run away? this is a knavery of them to
105  make me afeard.
Re-enter SNOUT

SNOUT
106  O Bottom, thou art changed! what do I see on thee?
BOTTOM
107  What do you see? you see an asshead of your own, do
108  you?
Exit SNOUT

Re-enter QUINCE

QUINCE
109  Bless thee, Bottom! bless thee! thou art
110  translated.
Exit

BOTTOM
111  I see their knavery: this is to make an ass of me;
112  to fright me, if they could. But I will not stir
113  from this place, do what they can: I will walk up
114  and down here, and I will sing, that they shall hear
115  I am not afraid.
Sings
116  The ousel cock so black of hue,
117  With orange-tawny bill,
118  The throstle with his note so true,
119  The wren with little quill,--
TITANIA
Awaking
120   What angel wakes me from my flowery bed?
BOTTOM
Sings
121  The finch, the sparrow and the lark,
122  The plain-song cuckoo gray,
123  Whose note full many a man doth mark,
124  And dares not answer nay;--
125  for, indeed, who would set his wit to so foolish
126  a bird? who would give a bird the lie, though he cry
127  'cuckoo' never so?
TITANIA
128  I pray thee, gentle mortal, sing again:
129  Mine ear is much enamour'd of thy note;
130  So is mine eye enthralled to thy shape;
131  And thy fair virtue's force perforce doth move me
132  On the first view to say, to swear, I love thee.
BOTTOM
133  Methinks, mistress, you should have little reason
134  for that: and yet, to say the truth, reason and
135  love keep little company together now-a-days; the
136  more the pity that some honest neighbours will not
137  make them friends. Nay, I can gleek upon occasion.
TITANIA
138  Thou art as wise as thou art beautiful.
BOTTOM
139  Not so, neither: but if I had wit enough to get out
140  of this wood, I have enough to serve mine own turn.
TITANIA
141  Out of this wood do not desire to go:
142  Thou shalt remain here, whether thou wilt or no.
143  I am a spirit of no common rate;
144  The summer still doth tend upon my state;
145  And I do love thee: therefore, go with me;
146  I'll give thee fairies to attend on thee,
147  And they shall fetch thee jewels from the deep,
148  And sing while thou on pressed flowers dost sleep;
149  And I will purge thy mortal grossness so
150  That thou shalt like an airy spirit go.
151  Peaseblossom! Cobweb! Moth! and Mustardseed!
Enter PEASEBLOSSOM, COBWEB, MOTH, and MUSTARDSEED

PEASEBLOSSOM
152  Ready.
COBWEB
153  And I.
MOTH
154  And I.
MUSTARDSEED
155  And I.
ALL
156  Where shall we go?
TITANIA
157  Be kind and courteous to this gentleman;
158  Hop in his walks and gambol in his eyes;
159  Feed him with apricocks and dewberries,
160  With purple grapes, green figs, and mulberries;
161  The honey-bags steal from the humble-bees,
162  And for night-tapers crop their waxen thighs
163  And light them at the fiery glow-worm's eyes,
164  To have my love to bed and to arise;
165  And pluck the wings from Painted butterflies
166  To fan the moonbeams from his sleeping eyes:
167  Nod to him, elves, and do him courtesies.
PEASEBLOSSOM
168  Hail, mortal!
COBWEB
169  Hail!
MOTH
170  Hail!
MUSTARDSEED
171  Hail!
BOTTOM
172  I cry your worship's mercy, heartily: I beseech your
173  worship's name.
COBWEB
174  Cobweb.
BOTTOM
175  I shall desire you of more acquaintance, good Master
176  Cobweb: if I cut my finger, I shall make bold with
177  you. Your name, honest gentleman?
PEASEBLOSSOM
178  Peaseblossom.
BOTTOM
179  I pray you, commend me to Mistress Squash, your
180  mother, and to Master Peascod, your father. Good
181  Master Peaseblossom, I shall desire you of more
182  acquaintance too. Your name, I beseech you, sir?
MUSTARDSEED
183  Mustardseed.
BOTTOM
184  Good Master Mustardseed, I know your patience well:
185  that same cowardly, giant-like ox-beef hath
186  devoured many a gentleman of your house: I promise
187  you your kindred had made my eyes water ere now. I
188  desire your more acquaintance, good Master
189  Mustardseed.
TITANIA
190  Come, wait upon him; lead him to my bower.
191  The moon methinks looks with a watery eye;
192  And when she weeps, weeps every little flower,
193  Lamenting some enforced chastity.
194  Tie up my love's tongue bring him silently.
Exeunt

< (Previous) ACT II, SCENE IIACT III, II (Next) >
Scene Index
ACT I
  • SCENE I
  • SCENE II


  • ACT II
  • SCENE I
  • SCENE II


  • ACT III
  • SCENE I
  • SCENE II


  • ACT IV
  • SCENE I
  • SCENE II


  • ACT V
  • SCENE I

  • ©1999-. All rights reserved.Contact
    Part of the MaximumEdge.com Network.Add Bookmark