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Home > The Kids Are All Right
The Kids Are All Right
The Kids Are All Right


Retail Price: $19.98
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Sales Rank: 4,938

Actors: Julianne Moore, Annette Bening
Director: Lisa Cholodenko
Rating: R
Features: AC-3, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC
Running Time: 107 minutes
Aspect Ratio: 1.85:1
Release Date: November 16, 2010
Theatrical Release Date: July 7, 2010
Studio: Focus Features

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Academy Award® nominees Annette Bening and Julianne Moore star in this funny, smart and vibrant portrait of a modern American family. Nic Bening and Jules Moore are your average suburban couple raising their two teens, Joni Mia Wasikowska and Laser Josh Hutcherson, in Southern California. But when the kids secretly track
down their “donor dad,” Paul Mark Ruffalo, an unexpected new chapter begins for everyone as family ties are defined, re-defined and then re-re-defined. Fall in love with the big-hearted comedy that critics are calling “one of the best films of the year!”
Michael Phillips, At the Movies
If the relationships that anchor Lisa Cholodenko's warmly funny films appear unconventional, their problems--their pleasures--remain universal. In The Kids Are All Right no relation to the Who documentary, she takes on a suburban Los Angeles family with two teens, Joni Alice in Wonderland's Mia Wasikowska and the unfortunately named Laser Josh Hutcherson, The Bridge to Terabithia, and two mothers, Nic Annette Bening and Jules an atypically relaxed Julianne Moore, who conceived via artificial insemination. Now that she's heading off to college, Laser urges 18-year-old Joni to seek out their birth father, who lives in the area her name comes from folksinger Mitchell. Though she hits it off with Paul Mark Ruffalo, effortlessly charming, a motorcycle-riding restaurant owner, Laser has his doubts troublingly, the 15-year-old's best friend uses "faggot" as an all-purpose epithet. After they introduce Paul to their parents, allegiances start to shift. While Nic, a doctor, serves as breadwinner and disciplinarian, Jules, a homemaker-turned-landscape artist, provides the nurturing. Paul, on the other hand, lives free from attachments, inciting both curiosity and suspicion. Furthermore, Jules finds him strangely irresistible, which only expands the fissures in her loving, yet unstable union. As with Laurel Canyon, Cholodenko doesn't just create fully rounded characters, but entire communities. In the end, Kids isn't about children vs. adults as much as the family unit vs. the singular outsider. Though the story concludes on a relatively happy note, it's clear where her allegiances lie. --Kathleen C. Fennessy


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