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Actors: James Stewart, Donna Reed, Lionel Barrymore, Thomas Mitchell, Henry Travers Director: Frank Capra Rating: Features: Black & White, NTSC Running Time: 130 minutes Aspect Ratio: 1.33:1 Release Date: October 31, 2006 Theatrical Release Date: January 7, 1947 Studio: Paramount
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George Bailey has so many problems he is thinking about ending it all – and it’s Christmas! As the angels discuss George, we see his life in flashback. As George is about to jump from a bridge, he ends up rescuing his guardian angel, Clarence. Clarence then shows George what his town would have looked like if it hadn’t been for all of his good deeds over the years. Will Clarence be able to convince George to return to his family and forget suicide?
Miracle on 34th Street 1947 The original 1947 version of this Valentine Davies story follows the misadventures of Kris Kringle Edmund Gwenn as he gets a job playing Santa Claus at Macy's department store in New York City. Natalie Wood is the little girl who tells him she doesn't believe in Santa, and Maureen O'Hara and John Payne are the couple who help Kris through a trial in which he must prove he's the jolly fellow from the North Pole. A sweet movie and perennial Christmas favorite, this is one of those movies that gets under your skin and must be revisited every so often. --Tom Keogh
It's a Wonderful Life Now perhaps the most beloved American film, It's a Wonderful Life was largely forgotten for years, due to a copyright quirk. Only in the late 1970s did it find its audience through repeated TV showings. Frank Capra's masterwork deserves its status as a feel-good communal event, but it is also one of the most fascinating films in the American cinema, a multilayered work of Dickensian density. George Bailey played superbly by James Stewart grows up in the small town of Bedford Falls, dreaming dreams of adventure and travel, but circumstances conspire to keep him enslaved to his home turf. Frustrated by his life, and haunted by an impending scandal, George prepares to commit suicide on Christmas Eve. A heavenly messenger Henry Travers arrives to show him a vision: what the world would have been like if George had never been born. The sequence is a vivid depiction of the American Dream gone bad, and probably the wildest thing Capra ever shot the director's optimistic vision may have darkened during his experiences making military films in World War II. Capra's triumph is to acknowledge the difficulties and disappointments of life, while affirming--in the teary-eyed final reel--his cherished values of friendship and individual achievement. It's a Wonderful Life was not a big hit on its initial release, and it won no Oscars Capra and Stewart were nominated; but it continues to weave a special magic. --Robert Horton