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Home > Better Off Dead
Better Off Dead
Better Off Dead


Retail Price: $12.99
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Sales Rank: 1,954

Actors: John Cusack, Demian Slade
Rating: PG
Features: Closed-captioned, Color, DVD, Subtitled, Widescreen, NTSC
Number of Discs: 1
Running Time: 97 minutes
Release Date: July 16, 2002
Theatrical Release Date: 1985
Studio: Paramount

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Lane Myer's John Cusack dreams are shattered when his girlfriend Beth Amanda Wyss decides she prefers the company of a sleazy ski jock over his own. This disheartening news leads Lane to attempt to take his own life in various ways--all of which never seem to work out. But if he can beat Beth's new boyfriend in a ski run down the treacherous K-12, he may be able to win her back. Along the way, Lane also encounters a beautiful French exchange student, a nasal spray-snorting neighbor, a rabid newspaper boy, and dancing hamburgers. "Savage" Steve Holland ONE CRAZY SUMMER directs this 1985 cult favorite.
Lane Myer John Cusack is stuck in a personal hell. A compulsive, adolescent Everyman growing up in Suburbia, USA, not only does he fail to make the prestigious high school ski team again, but his beloved sweetheart, Beth, also leaves him for Roy, the team's popular, arrogant captain. If this isn't bad enough, he's stuck with a mother who frighteningly experiments--rather than cooks--with food, a brother who builds rockets out of models, and a best friend so desperate for drugs that he settles for snorting powdered snow. Faced with these prospects, Lane opts to end it all ... until he comes up with a ridiculous plan to gain acceptance and win Beth back. Director Savage Steve Holland warps this simple, clich├ęd premise, letting his wacky imagination twist it into a fairly original, slightly dark, and completely hilarious '80s teen comedy. Not as serious a "suicide-attempt" movie as, say, Harold and Maude but just as funny, the film's more a collection of screwball sketches than a narrative. Holland livens the high jinks with surrealistic fantasy touches, including Jell-O that crawls, a hamburger that sings Van Halen, drawings that mock its creator, Japanese race-car drivers who only speak Howard Cosell, and a psychotic paperboy seeking blood over a missing $2. Cusack puts the whole thing on his shoulders and carries the insanity with another one of his touching, obsessively romantic performances, which, along with Say Anything, The Sure Thing, and One Crazy Summer, made him the quintessential and appealing personification of lovestruck adolescence and suffering. --Dave McCoy

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